How often do we really examine curatorial contributions – not simply to an exhibition, but to the care and display of ...

Illness meant that we missed the window to publish our usual pick of the week’s arts, design, film and music events from ...

The stone simply indicates where his remains are buried. What about his life, identity, choices? His family, his legacy?

“In a world that’s been gamified to within an inch of its life, maybe indulging in pixels, bits and bytes can be a subversive ...

Although not his debut (that being Bottle Rocket), Rushmore is perhaps the first of Wes Anderson’s films featuring many of the associations we make with his singular style. Recurring cast members Bill ...

Colour, line, and the female form converge, as minimalist painter Daniel Halsall (below) exhibits works on paper, inspired by Schiele, Matisse, Picasso and others. With more than 200 works from 85 ...

“Words, text, art, text art, artists’ text, art writing.” Mike Pinnington on the intersection of and relationship between art and text… When we speak about art, we often refer to the ‘story’ of art, ...

“Opportunities to engage with names other than the movement’s usual suspects are all too rare.” Mike Pinnington on a close encounter with the geometric abstraction of Ding Yi… When we think about ...

To mark their recent smash success with the Big Give appeal, Laura Robertson speaks to Arts Emergency CEO Neil Griffiths about why it’s absolutely essential to keep on advocating for working-class ...

“A feeling, a period, a mood.” Mike Pinnington on Veronica Watson, whose portraits – celebrated in new publication All Together Now – currently adorn the Bluecoat’s upstairs gallery… What does it mean ...

A new exhibition at Tate Liverpool takes as its departure point the docks on which the building stands, before plunging us into the depths and beyond. Mike Pinnington reviews The Plant That Stowed ...