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The Barbican ... Plan your journey and find more route information in ‘Your Visit’ or book your car parking space in advance. We’ve plenty of places for you to relax and replenish, from coffee and ...

This Seagull soars away to over three hours, as there are also some Billy Bragg songs to perforate the fourth wall from the start and later to underline the working class credentials of Simon ...

Edward II (Swan Theatre, Stratford-upon-Avon) Edward II is a play beloved of students hoping to combine political protest with sexualised barbarism. That makes it an interesting choice for the ...

That's how Zachary Hart (who plays Simon Medvedenko) opens Anton Chekhov’s The Seagull, adapted by German director Thomas Ostermeier, at the Barbican Theatre. The Seagull is a play written by ...

This article is brought to you by our exclusive subscriber partnership with our sister title USA Today, and has been written by our American colleagues. It does not necessarily reflect the view of ...

Last night, director Thomas Ostermeier’s production of The Seagull, which he adapts from Chekhov alongside Duncan Macmillan, celebrated its official opening at the Barbican Theatre. Cate Blanchett ...

What’s the point of theatre? It’s the question that director Thomas Ostermeier - once the enfant terrible of German theatre, who famously said that directors over 40 should stop working ...

PORTSMOUTH — A plan by the owners of the Domo restaurant building to add housing on site has been delayed by concerns about how the proposed addition would impact an adjacent historic and award ...

The 2.2 acre site, close to York Barbican and next to the StayCity aparthotel is across the road from the Bar Walls and has been disused since the former Barbican swimming pool and its car park ...

estate should note that the film star doesn’t make conventional theatre choices. Whether it’s Susan Traherne, the wartime secret agent falling apart in David Hare’s Plenty, or When We Have ...

“Theatre is awful. It’s overpriced, elitist, indulgent, outdated and entirely irrelevant to what’s actually happening in the world,” he complains. But Ostermeier’s production absolves ...