An exhibition at the Louvre-Lens in France examines centuries of interplay between art and fashion, including what the ...

Major exhibition Dirty Looks marks the return of contemporary fashion to the Barbican and Lucy Raven presents a new ...

Places must be booked in advance by emailing the Barbican Box ... pizzas and full pre-theatre menus Spaces for wheelchair users in row U at the rear of the stalls (up to sixteen, depth of row 180cm) ...

It's a meta start to a talent-packed updating of a play about a group of writers and actors wondering whether theatre is still relevant in a world on the brink of destruction. So far so topical.

As Simon mentions in his opening patter, the show is directed by the great German Thomas Ostermeier, artistic director of Berlin’s hugely influential Schaubühne theatre. It’s quite the coup ...

Cate Blanchett is back on the London stage for the first time in six ... estate should note that the film star doesn’t make conventional theatre choices. Whether it’s Susan Traherne, the ...

For an obsolete and irrelevant art form, theatre’s doing pretty decently. A patch of very tall green crops grows in the centre of the Barbican’s sensibly curtailed playing space and Blanchett ...

Dress it up how you like ... drama about Guyanese needle-and-thread man Walker (Arinzé Kene), in 1970s London, is a lightweight, awkwardly designed period garment. Walker has chosen to accept ...

Ostermeier’s modern-dress staging features a design by Magda Willi dominated by a clump of rushes, out of which characters come rustling, often in states of fevered or repressed passion.

It runs at the Barbican until early ... She last performed in London in Martin Crimp’s When We Have Sufficiently Tortured Each Other at the National Theatre in 2019. Here, she takes on the ...