Earlier this year Marty Gleeson was the first Irish woman to win best newcomer at the Edinburgh Comedy Awards for her debut ...

Aaron Sorkin’s sequel to his The Social Network screenplay is an old-fashioned, stolid response to social media’s wildfire ...

Into the Woods, let's dare to state it, is the most perfect music-theatre creation of the last 40 years. Sondheim's sense of ...

This year is the 70th birthday of the London Film Festival – the grand variety pack of films from the year’s other festivals, with few premieres of its own. The competition element is downplayed, too, ...

Making the television news even in the UK, let alone in hundreds of countries around the world, the story of the lost Irish ...

The titular yellow tie isn’t seen much in this lavish biopic, a gift “for a future Prime Minister of Romania” from Sean Bean’s grumpy patriarch Demostene (pictured below) to his son, the young Sergiu ...

A young electronic music producer of my acquaintance recently wrinkled their nose at Chase & Status’s last mega hit “BACKBONE,” saying “it’s just presets”. That is, they thought C&S were using ...

The autumnal return of the K-Music Festival, which started in 2013, is good news for those who like their world music ...

Fancy a trip to the seaside, if the fine weather holds? Then make Margate your destination. On my visit the sea was blue and ...

There’s a sinister edge these days to men dressed all in black, marching in step. They used to be quite funny (in this country anyway) and often still are, but the Roderick Spode aspect is fading and ...

This third and final instalment of Anthony Horowitz’s Susan Ryeland trilogy continues the author’s ingenious mystery-within-a ...

The title is a portmanteau word, one that hardly stretches one’s sleuthing capacity to decipher, which proves, unlike much else in a very curious two hours, to be well-chosen for what morphs into a ...