A Minneapolis house once used for a legendary album cover continues to attract fans and music history buffs from around the ...

I bought my first copy of Let It Be when I was 15 and it unlocked my lifelong love of the Replacements. Soon I was hunting down albums, bootlegs, zines, T-shirts—I even agreed to clean my high school ...

Both collections featured a remastered version of the original album, 14 rare live, studio, and home-demo recordings from the band’s Let It Be era, and a previously unreleased 28-song performance ...

The Replacements’ third album, 1984’s Let It Be, is an ’80s indie rock classic. Now, over 40 years later, the project is getting a comprehensive and massive deluxe edition reissue. Aside from the ...

The Replacements were a Minneapolis-based rock band (known initially for punk rock, and then as major players in the shift from punk to alternative rock) that rose to prominence in the 1980s and ...

Back in the ’80s, when slick pop and hair metal began to consume all, a hard-drinking group of ragged Minnesotan rockers continued to show up some nights ready to play and some nights not. They were a ...

MINNEAPOLIS — Will a Hollywood biopic on Minneapolis’ troubled indie rock band the Replacements soon be a reality? Stranger things have happened in ‘Mats land, and now a “Stranger Things” actor might ...

The Replacements at First Avenue in Minneapolis, 1984. Pictured are (left to right) Tommy Stinson, Chris Mars, and Paul Westerberg. From First Avenue: Minnesota’s Mainroom (Minnesota Historical ...

Rock and roll is a business largely founded on a kind of voyeuristic cannibalism: Take the most vulnerable, volatile performers you can find, place them in the most intense circumstances imaginable, ...

It was the biggest and most polished album of the band’s career. Considering the band, though, it’s no surprise that producer Matt Wallace has heard a lot of ire about “Don’t Tell a Soul” over the ...