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Fruupp vocalist, flautist and bassist Peter Farrelly has died, aged 76
Peter Farrelly, the lead vocalist, flautist and bass player with Northern Irish prog rockers Fruupp sadly passed away this ...
The Top 20 albums of Punk’s first year, 1977, ranked
Thanks, boss. Yes, there are the proto-punk records from the likes of the Dolls, the Stooges and MC5, but really, in 1976, ...
Cate Blanchett soars in the Barbican’s utterly engrossing update of Chekov’s The Seagull
Tom Burke and Emma Corrin also star in this three-hour production of the classic play that’s languid, thoughtful, and often ...
blogTO12d
1978 Sounds with Greg Clow - The music that made 1978 incredible
The latest in a chronological series of DJ nights featuring music from the classic years of alternative & underground music - punk, post-punk, new wave, goth, industrial, art rock, disco and beyond!
The Barbican’s star-studded The Seagull is an utterly engrossing update of Chekov
Cate Blanchett stars in a three-hour production of the classic play that’s languid, thoughtful, and often hilarious ...
‘The Seagull’ Theater Review: Cate Blanchett Leads a First-Class Ensemble in Glorious Chekhov Adaptation
Director Thomas Ostermeier brings a combination of devil-may-care boldness and truth to Duncan Macmillan's witty new adaptation, also featuring Tom Burke, Emma Corrin and Kodi Smit-McPhee.
The Hollywood Reporter11d
‘The Seagull’ Theater Review: Cate Blanchett Leads a First-Class Ensemble in Glorious Chekhov Adaptation
And the sense of period here is decidedly freestyle — the use of Bragg and The Stranglers shout 1980s rather ... But if Shamrayev is inadvertently debunking art, Ostermeier and Macmillan are ...
‘The Python Hunt’: How Ben Affleck and Matt Damon’s Artists Equity Helped Turn a Snake-Hunting Contest Into a SXSW Doc Hit
Producer Lauren Chaffee also worked with Bernfeld on Elara’s Max documentary “Love Has Won: The Cult of Mother God.” Two ...
AOL.co.uk12d
Cate Blanchett soars in the Barbican’s utterly engrossing update of Chekov’s The Seagull
It probes the relationship between art, obsession and self-deception, poring over and riffing on its themes like a rock song (“Golden Brown” by The Stranglers patterns through its scenes).