Harry Bicket and the English Concert presented the composer’s highly theatrical but little-known 1745 oratorio in an uneven but frequently arresting performance.
At Carnegie Hall, the English Concert made a case for “Hercules” as a strikingly modern dramatic oratorio of psychological and musical depth.
Cleveland Ballet continues its 11th season with Handel’s Messiah this weekend at Playhouse Square’s KeyBank State Theatre.
When the joyful energy at the final curtain - love briefly triumphant in the power-dominated world of Wagner's Ring - is as insanely high as it was at the end of a dizzying first act, that killer of a ...
When Labrinth’s “Still Don’t Know My Name” was released, I screamed it over and over again after listening to the beautifully haunting score from “Euphoria” Season 1. Less than six months after the ...
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