Ruth Shaw, a former Duke Energy Corp. (NYSE: DUK) executive, served on the foundation’s board from 2003 to 2015, the era when ...

EXCLUSIVE: The Camden Film Quarter has moved a step closer after the local authority in the London district adopted the ...

For more access information, please visit our Accessibility section. Cinemas 2 & 3 are located at Beech Street, a short walk from the Barbican Centre’s main Silk Street entrance. There are a couple of ...

We store some essential data on your computer to make our website work. With your consent, we would also like to allow third ...

Below are our picks for the 10 new (or new to the West End) plays worth seeing this season. Many of these shows have limited ...

Hancock, whose last performance at the Barbican in 2023 was described as “completely engrossing” by The Guardian, celebrates his 85th birthday in April. It's also 51 years since his first London show ...

2/2 Barbican Court, Rowville is a 3 bedroom townhouse. What are the key property features of 2/2 Barbican Court, Rowville? Explore all key property features for 2/2 Barbican Court, Rowville.

If Thailand has BrightWin, while South Korea has a gazillion shipped love teams, the Philippines finally has JayFer of “Ang Mutya ng Section E.” The latter is short for Jay-Jay and Kiefer of ...

As Simon mentions in his opening patter, the show is directed by the great German Thomas Ostermeier, artistic director of Berlin’s hugely influential Schaubühne theatre. It’s quite the coup ...

That's how Zachary Hart (who plays Simon Medvedenko) opens Anton Chekhov’s The Seagull, adapted by German director Thomas Ostermeier, at the Barbican Theatre. The Seagull is a play written by ...

Read our review of The Seagull, starring Cate Blanchett, Kodi Smit-McPhee, Emma Corrin and Tom Burke, now in performances at the Barbican to 5 April ... those tropes expertly to not just engage with ...

estate should note that the film star doesn’t make conventional theatre choices. Whether it’s Susan Traherne, the wartime secret agent falling apart in David Hare’s Plenty, or When We Have ...