With Na Hong-jin’s action-packed creature feature Hope currently in cinemas, we celebrate the peaks of South Korean sci-fi since the turn of the millennium.

Can’t decide what to make time for at the 70th BFI London Film Festival 2026? Discover some of the most intriguing films on the programme, reviewed and recommended by Sight and Sound contributors.

October brings subscription exclusives for David Cronenberg’s The Shrouds and Damiano Michieletto’s Venetian drama Primavera, plus films from Dario Argento, Charles Burnett and Isaac Julien.

A longtime devotee of Ken Russell’s The Devils, Guillermo del Toro explains why the film lights his fire and how it feels to see it restored.

The showcase features screenings of exclusive extracts from each project, with introductions by their filmmakers to an invited audience of international buyers, UK sales agents, distributors and ...

Ken Russell’s The Devils: the controversial masterpiece returns Inside: Paweł Pawlikowski discusses his new feature Fatherland, Boots Riley on I Love Boosters, a look inside a rediscovered scrapbook ...

The lineup features Cate Blanchett and the Displacement Film Fund, Girls on Film live podcast, and special guest speakers including Adam Pearson, Mark Cousins and Andrew Davies.

Fifteen early career filmmakers across fiction and documentary have been selected for this year’s edition of oiur flagship talent programme, which is designed to support and inspire new and ...

The Top Boy star’s feature debut has a standout performance from Tut Nyuot as Troy, a teen struggling to stay out of a trouble as he does his time in a violent youth detention centre.

As Horace Ové’s landmark drama Pressure arrives on Blu-ray, we went looking for the exact spots where Ové filmed in Notting Hill and Ladbroke Grove, to find out what’s changed five decades later.

Brad Pitt stars as a traumatised US soldier stranded in the wilderness with his military security dog in a tense action thriller from David Ayer that’s strongest in its quieter moments.

Filmmaker Ross McElwee distills his grief over the loss of his child into a powerful memory archive of home movies, clips from previous films, and footage shot by his late son, Adrian.