Canon has synthesized fluorite crystals since 1967 to correct secondary chromatic aberration in long lenses. Ordinary glass ...

The 1/125 on your shutter dial is a rounding error that stuck. The scale it sits on halves at every step, which puts that rung at 1/128, and 1/128 is an ugly number ...

Five experimental film techniques tested on zero budget: green fluorescent casts, RGB scanning with gel filters, ...

The Fujifilm XC 13-33mm f/3.5-6.3 OIS carries a $400 retail price and a reputation as a forgiving first lens for people stepping up from a phone. Whether that price holds up against everything else ...

DJI just gave the 360 camera market something to catch up to. Building on more than 12 years of imaging expertise, the Osmo 360 II delivers new capabilities rooted in a shared lineage from previous ...

Four days ago I put out a very nerdy video about the variable aperture lens in the new iPhone 18 Pro, and it has since become the most watched thing I have made all year. I did not see that coming.

Five years of hesitation, one impulse purchase, and the result confirmed every doubt. The Tamron 35-150mm f/2-2.8 delivers some of the sharpest image quality you can put on a Sony body, and that alone ...

Pelican has long been a name associated with gear transport and protection. I personally remember customizing their foam inserts to fit my camera gear and lenses as I transported them in their hard ...

The National Bobblehead Hall of Fame and Museum has unveiled the first bobblehead version of "Lunch atop a Skyscraper," the 1932 photograph of 11 ironworkers eating lunch on a girder 850 feet over ...

A bare, uncoated air-to-glass surface sends roughly 4 percent of the light striking it back the way it came, and a current professional 24-70mm f/2.8 zoom stacks about 30 of those surfaces in a row.

The zoom ring on a modern 70-200mm traces back to a viewfinder accessory the US Army Signal Corps clipped onto its 35mm combat movie cameras. Frank Back, the Austrian-born engineer who designed it, ...