Debussy’s only complete opera, Pélleas et Mélisande is a strikingly original piece of music drama. Icelandic mezzo-soprano ...

Composer and cellist Andrew Yee talks about her landmark choral and orchestral work Trans Requiem, written explicitly ...

Flamenco, tap and contemporary from Spain, the U.K. and Israel on offer in Program 3 at Fall for Dance yielded a provocative ...

The only dull spot came with Max Bruch’s frequently heard lament Kol Nidrei, played by Duerden with an unearthly beauty.

If the Berliner Philharmoniker can lay claim to any Mahler symphony, it’s to the Second. The composer himself conducted the ...

Swedish soprano Elisabet Strid reflects on Wagner’s heroines, in anticipation of Vincent Huguet’s new production of Siegfried ...

The opening program of Fall for Dance reflected the diversity of styles and world-class dancing on display at this year’s ...

The Metropolitan Opera’s revival of Phelim McDermott’s bustling production combines circus-like hijinks with superb singing ...

James Ehnes brings chamber-like intimacy to Bruch before Xian Zhang drives Symphonie fantastique from private obsession to ...

Is a concert ever worth more than five stars? This one – from the Hallé, Kahchun Wong and Sir Steven Hough – may well be.

Can you shrink La Mer into a piano trio? Ensemble 360 shows how it might be done, alongside a sparkling new work for trio ...

From first prize winner in 1991 to President of the Jury in its upcoming edition in October, Nizioł has followed the Henryk ...