Oludamini Ogunnaike tentatively ushers the words to the poem he has translated from Sufi master Shaykh Ibrahim Niasse’s collection The Light of Truth. “The Holy is not seen with the naked eye, but ...
“He Who Burns” ended with the dizzying turning of a lone white dancer against a darkened stage, recalling whirling Turkish Dervishes and flickering candle flames. The spinning sequence, like the ...
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