When musician and acclaimed baritone Max Raabe arrived in Berlin in the mid-'80s, he was expecting to find the cabarets and variety theaters his grandmother told him about, but they were long gone. So ...
These followed Raabe’s 1992 breakthrough hit, “Kein Schwein Ruft Mich An” (which translates, literally, as “No Swine Ever Calls Me”). He and his 12-piece Palast Orchester (Palace Orchestra) also ...
This program is part of our TV Membership Campaign. Support quality programming you depend on from KPBS. Give now! Enjoy high style and humor with the German crooner’s salute to the timeless melodies ...
Singer Max Raabe stands erect before the microphone, garbed in a tuxedo and tails with his blonde hair slicked back, and croons songs that were the rage of Berlin during the 1920s and ’30s, the time ...
The other German kids were listening to Elton John, Kraftwerk, and Jethro Tull, but Max Raabe pulled out an old 78 from his father's collection and fell in love. The classically trained tenor now ...
In November 2007 German singer Max Raabe performed at Carnegie Hall with the Palast Orchester, presenting a half-English, half-German program of songs from the golden years of Weimar Germany. The ...
A Berliner, however, in white tie and tails. Champagne in hand. A study in elegance, charisma and silkily ironic wit. A Jazz Age Berliner, that is, from the Weimar era. Wait, sorry. I got a little ...
In November 2007 German singer Max Raabe performed at Carnegie Hall with the Palast Orchester, presenting a half-English, half-German program of songs from the golden years of Weimar Germany. The ...
Looking for a musical evening with a little class but no stuffy business? Maybe you like your orchestras with a side of Britney Spears? Sounds like Max Raabe’s beautifully nostalgiac vocal stylings, ...
Forbes contributors publish independent expert analyses and insights. Jane Levere is a New York-based freelance writer covering the arts. The music of decadent but elegant Weimar Germany and of the ...
When Max Raabe with an incredibly straight face, ironically raised, eyebrow and slightly bent elbow enters the stage almost carelessly, he sends a sardonic look to the audience and with the greatest ...