How these menacing towers of raw concrete that just a few short years ago were considered the ugliest buildings in the world ...

whose masterpieces include the former Whitney Museum of American Art building in New York. (It’s not Brody’s first time playing creative people savaged by World War II: he won the 2003 Academy ...

Now that the White House has decreed that all new government structures be made in a classical style, let’s cue up the ...

Historian Nikolaus Pevsner once said, ‘A cow shed is a building; Lincoln Cathedral is architecture’. By turning the ...

Imagine a brutalist building, and you imagine something ... distinguished professor of art history at Rutgers New Brunswick. "They think that it's utilitarian, that it's used in parking garages." ...

Over the course of The Brutalist, László navigates and transcends his pain through his architectural projects, culminating in a career retrospective at the Venice Biennale. The power of art is ...

So what is “The Brutalist” contemplating? The film has one question that asks itself again and again: Who owns art? Corbet leaves us with two answers, one practical and one moral. Morally, art is ...

Related: The Brutalist Review: Adrien Brody Towers in a Wobbly Epic About Art vs. American Might When a surprised Maron, 61, clarified that the film has netted Corbet no income, the recent BAFTA ...