How these menacing towers of raw concrete that just a few short years ago were considered the ugliest buildings in the world ...

Historian Nikolaus Pevsner once said, ‘A cow shed is a building; Lincoln Cathedral is architecture’. By turning the ...

So what is “The Brutalist” contemplating? The film has one question that asks itself again and again: Who owns art? Corbet leaves us with two answers, one practical and one moral. Morally, art is ...

Imagine a brutalist building, and you imagine something ... distinguished professor of art history at Rutgers New Brunswick. "They think that it's utilitarian, that it's used in parking garages." ...

His contempt for brutalism isn’t surprising, given that it is mostly associated with 1960s-era government and university ...

Over the course of The Brutalist, László navigates and transcends his pain through his architectural projects, culminating in a career retrospective at the Venice Biennale. The power of art is ...

Nominated for 10 Oscars, Brady Corbet’s The Brutalist is an architectural metaphor come to life. The film challenges the foundations of post-war America, where the raw beauty of brutalism is as much a ...